Please welcome Richard Ferguson to the
Interview Session. A little background--I have known Richard for many
long years and we are close friends. When I was writing my first
novel in Houston, Texas back in the wild 1980s, Richard and I belonged to the same
novel-writing club. It was simply called the Houston Novel Club where
a group of us met every two weeks for 2-3 years. Out of the regulars
of about 20 people, at least 3/4ths of us went on to become published
writers. It was indeed a talented group of people. Richard and his
wife, Ann, lived in Galveston during those years and now have moved
to Mexico. He still writes and is new to the digital Indie scene. He
has one book of short stories for the Kindle and is working on a
second collection and getting his novel ready for Kindle. He's one of
the most intelligent men I've ever met. He taught a college writing course at one time
and, because he is well-read with a great sense of good storytelling,
he has always been a beta reader for my novels. Now let's see what
Richard has to say for himself...
When did you start writing and how
long was it before you were published?
I still have my
first short story written when I was six. It was about a boy who
finds a wounded prairie dog and nurses it back to health. I
apparently already believed in surprise endings because he throws it
into the ocean where it swims away and lives happily ever after. I
differentiate between being published, having fiction published, and
being paid for fiction. It was about thirty years before I was paid
for fiction.
Tell us about your latest book and
what inspired it.
My inspirations come from things that
have happened in my own life. The genre doesn't matter. I could be
writing about living on a planet orbiting Alpha Centauri and I'd
still use the emotions and sensations from past experiences. Love,
hate, danger, sex, fear, happiness, death are all universal and
timeless. The book I'm working on now is about a spy who should have
been a poet but instead is involved in the darkest of black
operations. It's also a love story.
What genre do you write in, if any?
How do you feel about the genre, the future of it, and the authors in
it?
My latest book is a spy thriller which,
at the moment, doesn't have a name. I choose to write in that
genre because I enjoy it. I try to write something that I would
enjoy reading. There will always be an audience for great spy
thrillers. John LeCarre rises above the genre in the way that Larry
McMurtry made Lonesome Dove more than a western. There is always
room for exceptional writing in any genre. When I write short
stories, they sometimes are horror tales, again because I enjoy them.
What/who do you read for pleasure?
I've read most of your books. Other
authors who I admire and enjoy have been and are: Mark Twain, John
Steinbeck, Ken Kesey, Larry McMurtry, Anne Rice (but only Interview
With The Vampire). Actually, I read a lot of non-fiction too. I
think it makes good ammunition for writing fiction.
Is writing pleasure or work for you?
When I write, I practically go into a
trance. I'll realize that it's hours later and stop. It's more like
another dimension than pleasure or work.
If you had to exchange your writing
life with another writer, who would that writer be and why?
If I had to . . . maybe Lord Byron.
His adventures with Mary Wollstonecraft and Percy Shelley sound very
entertaining. He wasn't a slouch as a writer either.
How do your friends and family cope
knowing you have such dark or unusual thoughts?
I am what I am. Some think I'm weird
and it's true. I create fantasy worlds and live in them when I'm
writing. If I weren't writing and I spent the same amount of time
imagining monsters and murderers, I suppose I'd be considered insane.
How supportive is your spouse and
your family?
My spouse is very supportive. As a
rule, I only see the rest of my family on holidays.
What inspires you? Or triggers a
story idea?
I'll give an example. I read a book by
the man who actually was the first designer of special weapons for
the CIA. In his book, he mentioned that the Soviets had trained
women from an early age to be more than just operatives, but lethal
weapons. From that, I built the story of 57J, a young girl who was
taken from her parents, then trained and educated by the KGB.
What has been the most
difficult/painful/surreal story to write, and why?
There have been times when I hit a
blank wall in a story and simply didn't know what happened next. I
was stuck. I learned to solve that by just writing anything for a
few pages. I quickly found where the story was going, then could go
back and remove the meaningless pages.
How do you see the story in your
mind as it's created? Is it like making a plan, seeing a mental
movie, or do you just write down what the voices in your head tell
you?
I start with a plan of some kind
although that can change as the story sometimes leads me. It's a
little like a movie except I usually put myself in a situation I've
experienced somehow before so I'm in it rather than watching it.
Now that traditional publishing vs
digital publishing has taken really different turns lately, how do
you feel about authors going the small press or traditional
publishing route over the digital route? Indie or Traditional for you
or both and why?
I like the idea of controlling the
sales myself and seeing what is happening as it happens.
What's the best book you ever read?
That all depends on your definition of
best. I'll define "best" as liked the most. I loved the
characters and plot in "Sweet Thursday" by John Steinbeck.
Another great favorite was "The Little Drummer Girl" by
John LeCarre.
Who are your influences in
literature?
I'd have to say every author whose work
I've ever read has probably contributed in the way that even a grain
of sand adds weight to a load. However, if I could write spy novels
as well as LeCarre, I'd be happy.
Do you feel traditional publishing
may become a niche?
My guess would be that people will
always want a library of favorite books. I do because I like the
feel and the smell and consider them to be artworks in their own
right. In general, I think digital publishing will become dominant
though.
What is your education and job,
other than writing?
I have written most of my life. I
wrote for the school newspaper from junior high through college, then
the Stars and Stripes in the Army. I wrote for various newspapers
and magazines and sold a couple of industrial film scripts.
Do you ever, like Truman Capote
confessed doing, take from real life, friends, and family situations
or characters to use in your fiction? If so, do you tell them or keep
it secret?
I almost always use someone as a model
for a character. It could be someone like a well-known terrorist,
but many times it's a friend or acquaintance. I enhance them and
sometimes combine more than one person into a character. I've never
told anyone that I patterned a character after them.
Do you belong to any writer's
organizations? If so, which ones, and how do you feel about
professional organizations?
I don't belong to any. I don't have
anything against them.
Do you think networking on social
sites has helped your career and sales?
I know it helps but I haven't done much
networking yet.
Writing fiction is important to all
authors, but how much does it mean to you? If there were no outlets
for fiction of any kind, how would that feel? If for some reason you
could not write anymore, what would you do instead?
They'd find out I talked to myself and
acted out fantasies anyway so I'd probably end up in the loony bin.
What three things should our world
have that would make it a better place?
More nymphomaniacs, great wine, and
more readers who like my books.
WEIRD TALES by Richard Ferguson
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