Wednesday, March 21, 2012

Interview with Ruth Barrett, Author of BASE SPIRITS


Tell us who you are.

My name is Ruth Barrett, and I am an actor who’s morphed into a writer. My day job is writing descriptive video scripts for the blind, and my ‘real’ writing is my fiction. I have published a heap of short stories over the years, and ‘Base Spirits’ is my first novel.

When did you start writing and how long was it before you were published?

I’ve always written stories since I was a child. I had dreams of being an author in my late teens, but the acting took over for a few years. In my thirties, I started getting more serious, took a few writing courses, and an anthology published my first short story, ‘Family Secrets’. (I’ve since rewritten and re-launched that story as a stand-alone on Kindle.)

Tell us about your latest book and what inspired it.

Base Spirits’ came about as a result of my acting in a Jacobean play, ‘A Yorkshire Tragedy’. The story is nasty, brutish and short: a nobleman loses his fortune and murders half of his family rather than live in poverty. It was a true story in 1605, and Shakespeare’s acting company cashed in on the scandal and performed the play even before Sir Walter Calverley was pressed to death for his crimes! I was playing his unfortunate wife, and had a chance to visit Leeds in Yorkshire during rehearsals. Calverley Old Hall is still standing in a nearby village. In fact, you can rent one wing as a holiday flat. I met a local historian and had a tour through the place… and of course it has a few ghost legends. Not a surprise, considering the tragic past. I seemed to know more about the story than anyone, and thought it might make a good ghost novel one day… and ‘one day’ actually took quite a few years, on and off!

What genre do you write in, if any? How do you feel about the genre, the future of it, and the authors in it?

Base Spirits’ seems to fall under a classic horror category, although it is a mixed genre piece with a historical core. I tend to write with a dark streak, but not always pure horror per se. The horror gang writing today are a great bunch-- very warm and welcoming, and mutually supportive. The genre seems to be vibrant these days. Certain things ebb and flow in being the ‘sexy’ theme of the day, like vampires and zombies-- as long as it’s well-written, that’s great for all of us. Today’s readers have never had more choice.

What/who do you read for pleasure?

I like a little of everything. I studied English Literature at university in Canada and the U.K., so I do enjoy Dickens, the Brontes and Shakespeare. I love Ian McEwan, Sebastian Faulks, Margaret Atwood, Timothy Findley and Sarah Waters to name but a few. My Kindle is stuffed full of all the new Indie authors I’ve discovered, and I need to find more time for my TBR pile! I am not a snob about genres. If it’s well done, I’ll read almost anything. I tend to gravitate toward dark themes… and if a book has a British historical setting, that rocks my imagination.

Is writing pleasure or work for you?

A bit of both. When I’m in ‘The Zone’, it’s like time stands still and I write for hours on end without even noticing I’m forgetting to eat or have a drink. Sometimes when the world is too much with me, it takes a struggle to get in the mood. The ‘day job’ writing sometimes has to take precedent. I kinda need to eat and pay my bills, and the fiction isn’t doing that for me… YET!

If you had to exchange your writing life with another writer, who would that writer be and why?

Stephen Fry seems to have good time! He truly loves words and language, and delights in playing with English with such amazing wit and humour. He is also at that enviable stage in his career where he can act or be a show host or write… he is past all the struggle of having to prove himself and find his audience. That is the sort of freedom I would love to have- you can choose what you want to do next and always know that you are secure.

How do your friends and family cope knowing you have such dark or unusual thoughts?

My family has always thought I was a bit… unusual. I’m the youngest of four siblings and the only girl. It’s likely their fault that I’m bent. My Mom is proud as punch. My friends have been quite supportive overall, but I think I’ve shocked a few along the way. In everyday life, I am very cheerful and funny and so I think they expected that my books will be light and fluffy. As ‘Base Spirits’ opens with an execution and deals with brutal marital abuse and infanticide, I’m sure there are some out there who quietly wonder where my demons come from…

How supportive is your spouse and/or your family?

No spouse to worry about. My boyfriend has been hugely supportive and was one of the main people who pushed me toward the Indie route to publishing. My Mom has been my biggest champion all along. Other family members have been generally quite supportive… and some haven’t said one word about it.

What inspires you? Or triggers a story idea?

I have a wild imagination that seems to run in the background at all times. I’ll see an image or an article that might get me questioning ‘why?’, or have a dream that sparks an idea for a story. The best inspirations are when a random thought catches flame and runs off in my head. A whole novel once appeared in a single afternoon walk.

How do you see the story in your mind as it's created? Is it like making a plan, seeing a mental movie, or do you just write down what the voices in your head tell you?

I don’t plan. The idea usually plays out like a movie scene at first, and then the voices start chattering as the characters present themselves. God-- writers really are a bit nuts, aren’t they?

Now that traditional publishing vs digital publishing has taken really different turns lately, how do you feel about authors going the small press or traditional publishing route over the digital route? Indie or Traditional for you or both and why?

I chased that elusive traditional route for years. I had success in individual stories getting published by anthologies and chapbooks. I won a few contests and was awarded a writing grant. This is a good pedigree to have when you are trying to woo agents and publishers, and I know that it helped me get onto the right desks instead of slush piles sometimes. I have a professional editor who loved the book and started dropping it off to the Big Six publishers on my behalf even BEFORE I started working with her! The feedback from editors and agents was always positive… but never did anyone take me on. It was enormously frustrating. I would go in fits and starts, re-write, and try again… but I found it utterly disheartening and time consuming.

I went Indie after some hesitation. There was such a stigma for so long (and there still is, to some degree) that if you self-publish you must suck. It was only after nearly dying from the flu at New Year’s 2011 that I decided that life was too short, and finally listened to my friend’s gentle suggestions to look into all of this e-publishing stuff. I do like a lot about being Indie, but it is a LOT of hard work trying to get your writing noticed in the flood of new work constantly on offer. There are a number of folks out there who unfortunately are not helping the ‘you must suck’ Indie stigma by putting out sub-standard work. If you aren’t prepared to hone your craft, hire an editor and have a professional-looking cover, then you are doing yourself an injustice and making other Indie writers look like a bad bet for prospective readers.

I see that some publishers are starting to present more ‘writer friendly’ deals, like Scott Nicholson has with Thomas and Mercer. He still owns all the rights and profits for his other work, but has a three-book deal with them. That is good business for both parties. Publishers are going to have to change the way they run if they want to stay in the game. It’s been a case of them being the impenetrable gate-keepers for too long. A deal like that would appeal to me-- it would take a bit of pressure off by letting someone else hire the editor and cover designer, pay for book printing, and do a lot more effective marketing than I can on my own. It would also help sales of my own Indie stuff and free up more time for actual writing. I don’t think authors need to choose one or the other route anymore-- it’s a matter of what makes the most sense at the time.


What's the best book you ever read?

The Complete Works of William Shakespeare.

Who are your influences in literature?

Shakespeare gives a writer great grounding in character development and use of imagery. My theatre and TV background drive my work. I ‘see’ what I write like a stage piece or a film… and all of my actor’s training of getting into a character’s head helps my fictional characters come to life. I mentioned a few other favourite writers earlier on, but I also read heaps of Stephen King, Peter Straub and John Saul as a kid and I’m sure that had a huge influence.

Do you feel traditional publishing may become a niche?

There will always be traditional publishers. Publishing is in a state of evolution and re-invention right now. Whether that results in it becoming a ‘niche’ remains to be seen.

What is your education and job, other than writing?

I have a Bachelor of Arts (Honours) in English Literature-- I studied at Trent University in Peterborough, Ontario and did my third year abroad at the University of Leeds, UK. I returned to England and did my theatre training at the London Academy of Music and Dramatic Art (LAMDA) in London. I’ve since taken a few creative writing course, notably the Humber School for Writers correspondence course under the enthusiastic mentorship of Booker Prize inner Peter Carey. My day job is working in described video services for the blind and visually impaired. I write special described narrative scripts for TV and film, and sometimes I get to record the narration, which makes the actor in me pretty happy. I love doing voice-over work. I had a special project last year: live-to-air improvised described narrative for the Royal Wedding.

Do you ever, like Truman Capote confessed doing, take from real life, friends, and family situations or characters to use in your fiction? If so, do you tell them or keep it secret?

I once said that I have a mental scrap bag of bits and pieces: the inflection in a voice, or the way someone jingles change in their pocket, or a facial expression… and yes, true-life interactions between real people sometimes find their way into the scrap bag as well. I never base a character exactly on a real person-- I’ll stitch bits together like a crazy-quilt. And as Margaret Atwood said, ‘Sometimes we just make things up’! I’m no fool. I never tell anyone if there’s an aspect of them in a character. If they do notice, I hope they only notice the positive stuff.


Do you think networking on social sites has helped your career and sales?

That is the only way I have any sales! If I didn’t Tweet and lurk around on Facebook, guest blog and do interviews like this, I’d have sold a few books to my friends and that would be about it. I find this to be one of the coolest things about going Indie- I’ve made tons of friends and interacted with readers. I try not to be overly pushy, and just joke about and share ideas on-line. I have no problem with sharing other authors’ news or blog posts, and I hope they return the favour if they feel moved to do so. It’s not a competition, is it? If someone likes to read, they’re going to buy more than one book… and if an Indie author can point the way to other quality Indie writers, everyone wins.


Writing fiction is important to all authors, but how much does it mean to you? If there were no outlets for fiction of any kind, how would that feel? If for some reason you could not write anymore, what would you do instead?

I can’t imagine a world without a fictional outlet. It wouldn’t feel complete or fulfilling. What a horrible thought! If I couldn’t write, I’d have to be acting again- there is a strong need in me to tell stories and explore characters… move people to laughter or tears or a new way of looking at something… or just entertain them.

What three things should our world have that would make it a better place?

If the world had more empathy, generosity and selflessness, we’d be living in an earthly paradise. That would pretty much solve all the major problems like war and terrorism, religious strife, disgusting capitalist greed that destroys nature and human lives for the sake of the almighty buck, and the bizarre right-wing Conservative attempt to take over the world!

Friday, March 9, 2012

INTERVIEW WITH BRYAN HALL



BRYAN HALL a writer living in the mountains of North Carolina. He's had numerous short stories appear in various anthologies and magazines, now bundled into the collection "Whispers from the Dark." His debut novel Containment Room7 was released a few months ago by Permuted Press. Listen to what he has to say:

When did you start writing and how long was it before you were published?

I started young and then stopped for a while. About three or four years ago I started focusing seriously on it again and started selling short stories pretty quickly. I got lucky with the novel and made a deal with Permuted Press a few months after I finished it.

Tell us about your latest book and what inspired it.

Containment Room 7 covers a lot of areas, from zombies to aliens to murderous cults. It's a sci-fi zombie novel that really started when I was trying to break into a pro sci-fi market. I was struck by the idea of 'What would happen if we found God, and it wasn't really what we were expecting at all?' That evolved and twisted and turned and became the novel. The book's not preachy in the least in any direction, but that's the idea that it sprang from.

What genre do you write in, if any? How do you feel about the genre, the future of it, and the authors in it?

Horror, although I've got a few dark southern gothic stories in the pipeline. As for my feelings on it – it's stronger than ever and will probably just grow throughout the future. When it comes to writers, horror is one genre that certainly has no shortage of talent and the new publishing paradigm makes it easy for them to get their stuff out there.

What/who do you read for pleasure?

It's such a diverse list that I don't know where to start. I try to read one fiction book, then a non-fiction book and keep that pattern going. Everything from Dante to Cormac McCarthy, George Carlin to Clive Barker. I also read a lot of comics.

Is writing pleasure or work for you?

It's both. The fiction writing is pure pleasure, although sometimes the need to get it on the page can drive me insane. But during the daylight hours I write freelance nonfiction stuff to keep afloat, so that aspect of it is definitely work. Still, considering that I could be doing construction work or some nine to five job, I've got no complaints at all.

If you had to exchange your writing life with another writer, who would that writer be and why?

What an incredible question…I'll go with Alan Moore. I know he's a comic author, but the things that he's done are amazing and literally changed everyone's perception of what not just comics, but stories in general could be. From the Watchmen to his run on Swamp Thing, if I could create characters and plots like that I'd die content.

How do your friends and family cope knowing you have such dark or unusual thoughts?

Luckily most of my friends have thoughts just as dark. My wife just laughs it off. She likes a good horror movie more than she'd care to admit, I think, so she takes my strange thoughts in stride.

How supportive is your spouse and your family?

Completely and totally supportive. My wife let me turn an entire room of the home into my office, and has stood behind me completely since I told her this was going to be my life from now on.

What inspires you? Or triggers a story idea?

A long drive with some music on the radio is where most of my story ideas seem to hatch, for some reason. I'm not sure if it's the music or the drive, but that's where a huge percentage of them come from. But inspiration's a tricky beast to pin down, and everything from a news headline to a stubbed toe could do it. If you mean what inspires me to keep writing, I'm sure you already know – it's more of a compulsion that you can't control than anything else.

What has been the most difficult/painful/surreal story to write, and why?

I have a story that's pretty much outlined in my mind concerning a group of boys living in a town with a child murderer on the loose. It starts when they're young then moves to their adult lives. But the opening chapter is one of the victims coming to, tied up and scared as the killer prepares to kill her. I'm writing from the perspective of her, and I just can't get through it yet. I keep imagining my kids in this situation and have to move on to something else. One day I'll finish it up, but for now it'll just have to simmer.

How do you see the story in your mind as it's created? Is it like making a plan, seeing a mental movie, or do you just write down what the voices in your head tell you?

A little bit of the last two. I can't plan it out completely, though I usually know the opening, the basics, and where it's leading. Usually I play out each scene in my head like a movie, then go back through the dialogue a couple of times. But there are occasions when it just spills out before I know what's happening.

What's the best book you ever read?

I reread the Books of Blood by Clive Barker almost every year, and The Road is really amazing as well so it's probably a toss-up between them. But I'll say that the best work of fiction I've ever read was the entire run of Preacher by Garth Ennis. The characters and the storyline in that changed my mind about what fiction could be.

Who are your influences in literature?

Jack Ketchum, Brian Keene, and Clive Barker are the big three in fiction that I look up to. But my main influences are really comic writers: Garth Ennis, Alan Moore, Jamie Delano, and Neil Gaiman to be specific (I know Gaiman writes novels now, but the Sandman comic blew my mind).

Do you feel traditional publishing may become a niche?

If something doesn't change, it may. Obviously it's going to take a while, but there are already publishers switching their focus to more of a niche kind of thing, with hardbound signed copies for collectors followed up by eBooks for the masses. It's really tough to say, but the next few years should be interesting.

What is your education and job, other than writing?

I don't have any college degrees, if that's what you mean. And I'm lucky enough to call writing my full time job (albeit with help from the nonfiction freelance stuff), and thus far I'm able to make a living from it.

Do you ever, like Truman Capote confessed doing, take from real life, friends, and family situations or characters to use in your fiction? If so, do you tell them or keep it secret?

The novel I'm working on right now is centered around a character based on a family member with paranoid schizophrenia, although he'd probably never recognize it due to his situation. As for others, a few personalities and situations weave their way in here and there. It's the best way to get that realism a good story or character needs, I think.

Do you belong to any writer's organizations? If so, which ones, and how do you feel about professional organizations?

I'm a member of the Horror Writer's Association, and they're really committed to helping up and coming writers. I haven't had the time to really delve into everything that they offer their members, but there are plenty of benefits to be had.

Do you think networking on social sites has helped your career and sales?

I think it has, for sure. It's made it much easier to get the word out and to meet others in the business to exchange ideas and collaborate on marketing and even on creative projects. I'm not so sure how much it helps to just post a "Buy my book!" post daily, since it hasn't impacted my sales tremendously. I do it every so often, but I think beating the dead horse will only help you lose followers.

What is the hardest thing you've ever had to do concerning your work as a writer?

Honestly, just find the time to write fiction. With a family, a full time writing job, and a property to take care of, it's hard to squeeze in the time needed to get a book written.

Writing fiction is important to all authors, but how much does it mean to you? If there were no outlets for fiction of any kind, how would that feel? If for some reason you could not write anymore, what would you do instead?

It means a lot, for sure. There are just too many things go on in my head to not have some kind of outlet. Actually, before I started writing full time I spent a good bit of time…not depressed, really, but listless. I notice I get that way now if I don't get at least a few hundred words onto the page every day, so I guess there's something going on there. If I couldn't write, I'd be playing music again. I pretty much stopped playing once the writing took off – only so much time in a day, really.

What three things should our world have that would make it a better place?

Far more craft beers...far more common sense…and another season of Deadwood (or two). Yep. I'm shallow.

His novel Containment Room 7 is available from Permuted Press.

His short fiction collection Whispers From the Dark.

Tuesday, March 6, 2012

How I Got into this Crazy Writing Business

In this new day and age of publishing, the question becomes motivation. The answer is that in the beginning of a writing career the motivation needs to be wanting to reach your reader, your audience. That's the only motive that will survive an entire lifetime. If all we want to do is make money, it was easier before the troubles in traditional publishing and the rise of the e-book. It never was an easy prospect, really, but it was possible—with some talent and a lot of luck--to sell books to publishers who paid decent advances. Now those advances are smaller from small publishers or non-existent when the writer goes it alone on the e-book route. If the motive is to be famous and well-known, that's less probable and a motive that probably can't last over decades. So it comes down to wanting to share your stories and novels, the Number One reason for writing. If we get into this work for any other reason I don't see how it can sustain us over all the years of our lives.

I can say this now with the strength of hindsight because I've wanted to be a writer since I was thirteen, I first published a novel when I was thirty-two, and I've been writing more or less regularly now for thirty years. That's a lifetime. My husband used to kid me about wanting first to write for an audience, then when my work began to be published wanting to write for money. But though I smiled and let him believe that, it was never true. I've always and, to this day, done my work because I wanted to share the stories in my head with readers. Money validates that motive, letting you know that you're worth reading—people will pay to read your work. But it is a secondhand motive and as a prime mover it really won't work over a long haul.

In the beginning and for most of my life, I lived a routine that made me get to where I wanted to go. I wanted to sell books, improve to the point I could compete with some of the best award-winning authors in my field, and build up a bookshelf of my own works. I knew the only way to get there was to write fiction as a job, go about it just like everyone working a nine-to-five job, and if I didn't, I had no chance of fulfilling my goals. So I wrote from early morning with my first cup of coffee, until I had to quit to straighten the house and begin the cooking of dinner—for I had obligations to my children and husband that couldn't be totally ignored. I wrote this way five days a week, just like a carpenter, a banker, an office worker. Then on weekends I did not write, giving that time to my family so they would have all my attention. This routine and dedication got me there. I wrote and published a novel, plus several dozen short stories, every two years for about twenty or more years. Had I not kept myself disciplined, I would have been a writer with very few credits, like J. D. Salinger or Truman Capote, and though they both were able to secure a niche in literary history by such small output, I felt a longer career with more works was that I really wanted. (So far it's 14 novels and more than 150 short stories published.)

 Often I'd stop and look at Stephen King's number of works and despair. We were about the same age and I'd admonish myself for not writing nearly as many novels as King. But that's a fool's game because it does nothing but make you feel impotent and lacking in some way. Besides, I had children to raise and as any mother knows, that's a full-time job in itself. King had a wife. If I wanted to be that prolific, I needed a wife, not be one. There are any number of ways a writer can compare herself to other writers and none of them are helpful--all of them can only make a writer worry. Worried writers don't get much writing done.

The point of all this is that the working writer needs the right motive in order to create a lifetime of work. Now this is important, or it was to me. Putting writing off means nothing gets done. I wrote when I was sick, when I should have been sleeping, when my children sat in my lap or climbed all over me demanding my attention. I wrote when I lost beloved family members, when in the midst of moving house, when the power went out, when I was deep in depression. Because it was my work and the postman couldn't take off a day and the mechanic had to go to work and people everywhere had to do their jobs. If they had to do it, why would I be given a pass? This was my work, wasn't it? This needed doing and it would eat up most of my life and I was happy for that. I chose my work, where most people are never so lucky. I was doing what I wanted to do and I did it joyfully, knowing I was privileged to get to do it at all. But most of all I wrote for those strangers whose faces I would never see, whose lives I hoped to touch though I would never know how, and I wrote because I had to. Stories are something like little boxes of mystery we carry around inside us; they want out, they need out, they don't belong to us alone. We write because that is what we do, without apology and without fanfare.

These days I am older and slower, but the work keeps coming and I work as hard as I ever did. If I wrote for money I'd have quit long ago. If I wrote for fame, I'd certainly realize what a fool thing that was. But I write to know what is in the mystery boxes and to share them with you.

Monday, March 5, 2012

INTERVIEW WITH RICHARD FERGUSON


Please welcome Richard Ferguson to the Interview Session. A little background--I have known Richard for many long years and we are close friends. When I was writing my first novel in Houston, Texas back in the wild 1980s, Richard and I belonged to the same novel-writing club. It was simply called the Houston Novel Club where a group of us met every two weeks for 2-3 years. Out of the regulars of about 20 people, at least 3/4ths of us went on to become published writers. It was indeed a talented group of people. Richard and his wife, Ann, lived in Galveston during those years and now have moved to Mexico. He still writes and is new to the digital Indie scene. He has one book of short stories for the Kindle and is working on a second collection and getting his novel ready for Kindle. He's one of the most intelligent men I've ever met. He taught a college writing course at one time and, because he is well-read with a great sense of good storytelling, he has always been a beta reader for my novels. Now let's see what Richard has to say for himself...

When did you start writing and how long was it before you were published?

I still have my first short story written when I was six. It was about a boy who finds a wounded prairie dog and nurses it back to health. I apparently already believed in surprise endings because he throws it into the ocean where it swims away and lives happily ever after. I differentiate between being published, having fiction published, and being paid for fiction. It was about thirty years before I was paid for fiction.

Tell us about your latest book and what inspired it.

My inspirations come from things that have happened in my own life. The genre doesn't matter. I could be writing about living on a planet orbiting Alpha Centauri and I'd still use the emotions and sensations from past experiences. Love, hate, danger, sex, fear, happiness, death are all universal and timeless. The book I'm working on now is about a spy who should have been a poet but instead is involved in the darkest of black operations. It's also a love story.

What genre do you write in, if any? How do you feel about the genre, the future of it, and the authors in it?

My latest book is a spy thriller which, at the moment, doesn't have a name. I choose to write in that genre because I enjoy it. I try to write something that I would enjoy reading. There will always be an audience for great spy thrillers. John LeCarre rises above the genre in the way that Larry McMurtry made Lonesome Dove more than a western. There is always room for exceptional writing in any genre. When I write short stories, they sometimes are horror tales, again because I enjoy them.

What/who do you read for pleasure?

I've read most of your books. Other authors who I admire and enjoy have been and are: Mark Twain, John Steinbeck, Ken Kesey, Larry McMurtry, Anne Rice (but only Interview With The Vampire). Actually, I read a lot of non-fiction too. I think it makes good ammunition for writing fiction.

Is writing pleasure or work for you?

When I write, I practically go into a trance. I'll realize that it's hours later and stop. It's more like another dimension than pleasure or work.

If you had to exchange your writing life with another writer, who would that writer be and why?

If I had to . . . maybe Lord Byron. His adventures with Mary Wollstonecraft and Percy Shelley sound very entertaining. He wasn't a slouch as a writer either.

How do your friends and family cope knowing you have such dark or unusual thoughts?

I am what I am. Some think I'm weird and it's true. I create fantasy worlds and live in them when I'm writing. If I weren't writing and I spent the same amount of time imagining monsters and murderers, I suppose I'd be considered insane.

How supportive is your spouse and your family?

My spouse is very supportive. As a rule, I only see the rest of my family on holidays.

What inspires you? Or triggers a story idea?

I'll give an example. I read a book by the man who actually was the first designer of special weapons for the CIA. In his book, he mentioned that the Soviets had trained women from an early age to be more than just operatives, but lethal weapons. From that, I built the story of 57J, a young girl who was taken from her parents, then trained and educated by the KGB.

What has been the most difficult/painful/surreal story to write, and why?

There have been times when I hit a blank wall in a story and simply didn't know what happened next. I was stuck. I learned to solve that by just writing anything for a few pages. I quickly found where the story was going, then could go back and remove the meaningless pages.

How do you see the story in your mind as it's created? Is it like making a plan, seeing a mental movie, or do you just write down what the voices in your head tell you?

I start with a plan of some kind although that can change as the story sometimes leads me. It's a little like a movie except I usually put myself in a situation I've experienced somehow before so I'm in it rather than watching it.

Now that traditional publishing vs digital publishing has taken really different turns lately, how do you feel about authors going the small press or traditional publishing route over the digital route? Indie or Traditional for you or both and why?

I like the idea of controlling the sales myself and seeing what is happening as it happens.

What's the best book you ever read?

That all depends on your definition of best. I'll define "best" as liked the most. I loved the characters and plot in "Sweet Thursday" by John Steinbeck. Another great favorite was "The Little Drummer Girl" by John LeCarre.

Who are your influences in literature?

I'd have to say every author whose work I've ever read has probably contributed in the way that even a grain of sand adds weight to a load. However, if I could write spy novels as well as LeCarre, I'd be happy.

Do you feel traditional publishing may become a niche?

My guess would be that people will always want a library of favorite books. I do because I like the feel and the smell and consider them to be artworks in their own right. In general, I think digital publishing will become dominant though.

What is your education and job, other than writing?

I have written most of my life. I wrote for the school newspaper from junior high through college, then the Stars and Stripes in the Army. I wrote for various newspapers and magazines and sold a couple of industrial film scripts.

Do you ever, like Truman Capote confessed doing, take from real life, friends, and family situations or characters to use in your fiction? If so, do you tell them or keep it secret?

I almost always use someone as a model for a character. It could be someone like a well-known terrorist, but many times it's a friend or acquaintance. I enhance them and sometimes combine more than one person into a character. I've never told anyone that I patterned a character after them.

Do you belong to any writer's organizations? If so, which ones, and how do you feel about professional organizations?

I don't belong to any. I don't have anything against them.

Do you think networking on social sites has helped your career and sales?

I know it helps but I haven't done much networking yet.

Writing fiction is important to all authors, but how much does it mean to you? If there were no outlets for fiction of any kind, how would that feel? If for some reason you could not write anymore, what would you do instead?

They'd find out I talked to myself and acted out fantasies anyway so I'd probably end up in the loony bin.

What three things should our world have that would make it a better place?

More nymphomaniacs, great wine, and more readers who like my books.

WEIRD TALES by Richard Ferguson

Sunday, March 4, 2012

What's Up?

I'm looking forward to a series of interviews I'll be posting here soon. All kinds of dark fiction Indie writers with everything from story collections to novels. Stay tuned to hear what they have to say. Each and every one is special and I want you to meet them.

I've gotten quite a lot of work done, lately, with some more to go. I have two new short story collections up on the Kindle, called THE SUBWAY COLLECTION-Dark Stories to Read on the Go. 


And also THE SUBWAY COLLECTION 2-Dark Stories to Read on the Go.


Eventually there will be more of the Subway collections for my readers who especially enjoy the short story. Each collection contains 4 stories and sell for $2.99. I've been a short story writer since beginning my writing career. The collections will contain stories that were previously published in anthologies and magazines, plus new, original stories. Ever since I had a book hit the bestseller list in the UK, my collection CRYPT TALES-9 Scary Stories has been popular. This tells me there is an audience for the short story and I hope to give them stories to read.

I've also managed to get 3 Boxed Sets of my novels together for Kindle readers. SUSPENSE THRILLERS contains WIREMAN, WIDOW, and the story, INTERVIEW WITH A PSYCHO.

DARK THRILLERS contains BAD TRIP SOUTH, UNIDENTIFIED, and the story, DARK REALITY.

HORROR THRILLERS contains BANISHED, LEGIONS OF THE DARK, and the story, THE SCREAM.

Next will come a boxed set of thrillers including the novels NIGHT CRUISING, KILLING CARLA, and a story.

I'm going to be looking for translators, too, who can translate my novels into German, French, Spanish, and Italian--Portuguese also. If anyone can do this, please contact me at billiemosiman@gmail.com and we will see if we can help one another. I really want to reach other countries in their own languages. It's unfair to ask readers in those countries to read in English, right?

I've found a great proofreader for my e-books to check for any formatting or scan errors and his name is Mark Lewis. If you want to contact him for your own works, he is at lewisma@swbell.net. I cannot recommend him highly enough. Tell him I sent you.

Next in line for an interview is Richard Ferguson, an American living in Mexico, who is new on the Indie scene. Please come back to see what he has to say. He has his first book of stories at Kindle now, WEIRD TALES. His interview should be live tomorrow, March 5.

Thursday, February 23, 2012

The Work of Making an E-book and Being an Indie

There is so much work to do when you are writing and putting up e-books for sale. An amazing amount of work. A lot of my time has been writing new work--the novel BANISHED, and lately a couple of new short stories. I have at least three more paperback backlist titles I need to get scanned, corrected, and made into e-books.

Then there are free books to decide about for the Kindle program. Then there's letting all the sites know the books will be free and for how long. Then there are covers that need creating and often need changing. Then there's work trying to remember to include one's list of books in the e-book, the need to remember to put a link to the Kindle store. Then there's keeping tabs--trying to figure out what people seem to like to read the most (it appears the answer is Suspense). Keeping tabs on downloads, on sales, on rankings. Keeping up with one's blog and interviews for the blog. (That's why I'm here in the middle of the night.)

There's more to do. Now and then I spend time checking reviews, lamenting over the poor ones, elated over the better ones, wondering if there is some way something might be made better. Then there's making books available in trade paperback and making books available to libraries. These steps are much harder than making the original e-book.

It is never ending. It feels the way it did when I first began as a writer--working long days and nights, trying to figure what might work, what didn't. Writing like crazy and letting the creative force take me like I'm a puppet and the story the master. Eating, sleeping, thinking books, thinking ideas, thinking about creating. It's fabulous, the excitement is high, but I haven't worked this hard in years!

Why do you do it, you ask? Is it money? Is it fame? I'd be lying if I said no. I hate to let this secret out, but writers want to make a living and writers want to be recognized for the work they do.  But it is so much more than that. It's my creative self revved to highest gear. It's me being more writer than wife, mother, sister, friend. It's losing myself in the goal--which is to make something new that has never existed ever before and only I can make it. It may not be the most spectacular creation in the world, but it is mine, I did it all, and that's important. I take all the flack and I take all the credit. I wrote the words. I made the cover. I labored over the editing and proofing. I decided on how to describe it. I decided on a fair price. I promoted it. I watched it. I loved it and let it go.

Then it begins all over again. New idea. Writing late into the night. Reading it over and over, editing, changing, fiddling. Making a cover, finally. Formatting and uploading. Writing a description. Waiting to see if the fans I do have are able to find it, if they think it's what they might like to read. Does the book or story sit there like a dead fish or does it sell? Is there something wrong with the cover or the description? Should I redo everything and make another run at it?

I am describing events and actions that Indie writers are doing all over the globe. I don't think I'm unique. I am nothing more than a working writer. But where before I just wrote books and let agents and publishers handle what came after that, now I am involved in every phase of the creation and the publication. I am a one-woman band. I am a publishing empire.

I'm not saying I am going to complain about having the freedom and the power over my own creative output and career. But I can tell you one thing that is true as true can be--I work like a dog. And like a dog, I go forward on animal instinct. I'll keep doing it, keep putting my nose to the ground, keep following the scent, keep making the master, my reader, happy. Because I may be a dog and work like a dog, but I am a writer and the truth is writing never was a leisurely profession. I always worked hard.

I can do this. We can do this.

In fact, it is what we do our entire lives as writers. It may not sound glamorous, because it isn't. But it's how work gets done--we all just knuckle down and do it.


Saturday, January 28, 2012

An interview with author, JAMES ROBERT SMITH

Please welcome:
James Robert Smith
  • 1)When did you start writing and how long was it before you were published?

    Well, like most writers I started pretty young. I was seven when I started writing stories and actually started a novel when I was eight years old. But that stuff doesn’t count, I reckon.
    I got serious about writing shortly after I got married. So I was 25 when I started actively learning how to construct decent fiction. I began to place stories in various semi-pro magazines shortly after that and made my first professional sale within a year.

    2)How did it feel to have your Five Star novel be optioned for film? Tell us about it.

    That was a wonderful feeling. I can say that it didn’t hurt to see all of those zeroes behind the other numbers in the contract. I hate to sound venal, but after all every writer wants to be able to do this work full-time. When (or if) the film ever begins lensing, I can actually consider retiring and writing instead of having to be a laborer to earn the rent.

    And of course the story behind the offer is a bit of an Internet legend at this point. I had insulted one of the producer’s film on a discussion board and he went out and bought a copy of THE FLOCK so that he could speak with authority when he shredded me in public. Instead, Don Murphy ended up loving the book so much that he assembled an option package for the movie rights through Warner Brothers.

    3) What genre do you write in, if any? How do you feel about the genre, the future of it, and the authors in it?

    I mainly write in horror. But occasionally I will stray from that to work in other types of fiction. THE FLOCK is not strictly horror—it’s been described by my publishers (Five Star and Tor) as “eco-suspense”, which is pretty good. The sequel to THE FLOCK (THE CLAN) proceeds along the same lines as the first book.

    My second novel, THE LIVING END, is pure horror. A zombie novel, exactly. And my third, HISSMELINA, is also horror…kind of a modern take on Lovecraftian themes, but not a Mythos novel by any means.

    4) Now that traditional publishing vs digital publishing has taken really different turns lately, how do you feel about authors going the small press or traditional publishing route over the digital route?

    For a couple of years I’ve had friends who had been having some success in doing their own books via the ebook/trade paperback format. A couple of these folk kept at me to try it, but initially I was so opposed the very concept of ebooks that I resisted. “Resist” is probably too mild a term. Even when those friends began making so much money that they were able to quit their jobs to write fiction full time I still resisted.

    But after a while I relented and figured I’d give it a shot. Of all of my work that remains unpublished, HISSMELINA is my favorite. HISSMELINA is a novel that had so many near misses with the traditional publishers that it would have driven some writers to suicide, I think. Fortunately I have a thick skin and kept picking myself up and starting over. But instead of submitting it one more time to a major publisher I did the last of many rewrites, had it professionally proofed by Neal Hock and typeset by Stephen Price and published through Kindle and Smashwords. We’ll see how it goes.

    5) What are your thoughts on publishing today (in all venues--print or digital) and the chances it presents for new authors?

    Publishing is in a tough spot right now. It seems almost like a doomsday scenario for the traditional publishers and for the traditional book outlets. I don’t know what to think right now. It’s possible that the industry is just going through a natural transition and that it will emerge on the far end intact. Or we could see something entirely new come on the scene. I never figured the digital age would be quite so rough on publishing.

    6) What's the best book you ever read?

    Good grief. I have to pick? OK, then. That would have to be I, CLAUDIUS by Robert Graves.

    7) Who are your influences in literature?

    Robert Graves, Charles Portis, Charles Bukowski, Ernest Hemingway, Ray Bradbury, Robert E. Howard, Howard Philips Lovecraft, Joe Lansdale, Barry Gifford…those are the guys who spring immediately to mind.

    [8)] What is it about zombie fiction that you think makes it so popular today?

    Zombie fiction is popular right now because it hits so many right notes to appeal to so many. The trope has just about every fear you could name wrapped up in it. One thing that I noticed early on during the zombie wave was that the form seems particularly popular among the right wing set. After perusing the blogosphere surrounding the zombie fans I noticed a disturbingly large batch of gun aficionados and racists among the lot. And of course I then noticed that there’s not a lot of difference between your average zombie novel and something like THE TURNER DIARIES. This caused me to step back for a bit and take a long look at the form and ponder the popularity I was seeing. I wrote an essay about it which caught me a lot of flak from reactionary writers who thought that I was singling them out—I wasn’t, but I still apparently trod on some tender tootsies out there.

    But whenever society in general is feeling a bit paranoid, something like zombie fiction appeals to it.

    9) What is your education and job, other than writing?

    I’m a laborer. I graduated high school then mucked about with college before my parents got sick and died. After that I was a book retailer for a bit, then a collectibles dealer handling old comics and toys, and then a pure laborer once more before landing a job as such for the US Postal Service. Along the way I managed to get an Associate of Arts degree in English but never carried that further. Anything I learned about writing I did so by reading voluminously and writing whenever I could.

    10) Do you ever, like Truman Capote confessed doing, take from real life, friends, and family situations or characters to use in your fiction? If so, do you tell them or keep it secret?

    Yes. I don’t get so much from family, but I do Hoover up a great deal of stuff from people I’ve met and from folk I talk to in casual meetings. I don’t have to keep much of it secret because a lot of the folk whose impressions I’ve lifted are people I knew only briefly or who I will likely never meet again.

    11) What do you think of the state of magazine fiction today?

    I don’t know much about the magazine market. I work almost exclusively in novel length form these days. Now and then an editor will email me or phone me to invite to submit something to an anthology, so I keep my hand in the short story market that way. I can’t even remember the last time I submitted a story to a magazine.

    12) Do you belong to any writer's organizations? If so, which ones, and how do you feel about professional organizations?

    I recently rejoined HWA. Before that I had not been a member of any writers organization for over a decade. I’m thinking of also joining SFWA, but haven’t done so.

    They have their place, I reckon. My dad used to say that a bad labor union was better than no labor union at all. I figure the same for things like HWA and MWA, etc.

    13) Do you think networking on social sites has helped your career and sales?

    Yes. I don’t think they help as much as they did in the past, when such things were new. But they do seem to get the work noticed maybe a little more than without them. But I don’t see the opportunities to find new markets as much as in the earlier days of e-networking, such as when Prodigy was a really neat gathering place for writers and editors. Those days haven’t been repeated as nearly as I can tell.

    14) What is the hardest thing you've ever had to do concerning your work as a writer?

    Making the time to write. As I said, I’m a laborer. I do physical labor to earn the rent, so when I get home I’m generally exhausted beyond words. I have to either make myself sit down at the keyboard to write for a few hours, or take a short nap and wake up and tackle the writing work. It’s really hard to do after you’ve lugged 35-lb sacks over ten miles of route in all kinds of weather. It’s hard.

    15) Tell us what is coming up in the future for you. Signings, films, new novels.

    I’m working on a three-book zombie series that I contracted to write under a pseudonym. After that I’m getting back to work on my science-fantasy novel, THE REZ. And I’ve got a young adult novel called ISAAC’S QUEST about a 38,000 year-old Neanderthal wizard who acts as a kind of Fagin for a group of magically enhanced teenagers. And INMATE B is another one that I’ve already started but set aside to work on the current projects, but I’ll get back to it in due time; it’s a more of a science-fiction thriller. I stay pretty busy and expect to for the foreseeable future.

    Oh. And there’s a comic book version of THE LIVING END that I hope to do with artist Mark Masztal, and another comic book project called THE REVOLUTIONARY. We'll see what happens.

    THE LIVING END: A ZOMBIE NOVEL
    THE FLOCK
    HISSMELINA